Update: You can now buy this cartoon on a t-shirt, hoodie, or sticker at RedBubble. How can you resist?
Here’s another drawing of a penguin in a cloak.
This one is interesting to me because of how I achieved it. First, I copied from a picture of a penguin I took at London zoo.
I sketched it in pencil and then sketched in the mask and cloak. Then I put it on the lightbox and drew the outline on a new sheet using a tria marker with the brush nib.
Then I scanned it and adjusted the levels to get the white paper white. I copied the layer and coloured it in, and put that coloured layer under the original scanned layer, using the Color Burn blending mode.
The nice thing for me is that I like this sort of look and I’m gradually working out how to achieve it. Gradually.
I’ve wanted to experiment with screen printing for a long time and today I finally did some. It was pretty mucky work, but good fun. I printed a design on to a t-shirt and on to a few cards.
Here’s my decapitated body to give you an idea of how the t-shirt came out.
I should have done another pass of the ink, but I didn’t realise at the time and once I’d picked up the screen to check that was the end of that.
The cards took the ink far more happily, of course, but I was guessing at location and they weren’t fixed down, so there was some smudging.
Key lessons I’ve learnt:
- do two passes on t-shirts
- to make postcards, stick down a few and work out where the screen should go before starting
- put newspaper down so you don’t have to be so careful about not getting ink on your table
- have a scrap cloth or something to hand so it’s easy to wipe ink off your hands if necessary
- for multiple t-shirts, you need to get them all ready first on bits of card or something, so you can work through them. There isn’t really time to do that once the ink is on the screen.
I did this just using some greaseproof paper cut out for the template. It worked pretty well, but I suspect most of the designs I want to do will be better with two colours and that will have to be far less haphazard.
Here’s today’s cartoon.
I bought a lightbox to see if it would help me get around some frustrations I’ve been having recently. I’ve only used it this morning, but my first impressions are that it was well worth it.
For this cartoon I drew it in pencil on marker paper (because it’s thin) and then went over it in pen when I was happy with it. Then I put it on the lightbox with a bit of bristol board on top and inked it out. Then I used the bristol board inked picture as the base image and put another piece of paper on top to do the colouring in wash. It was far faster than erasing and quite easy, although it’s still not very easy to see through because the bristol board is quite thick. For the colouring, next time I think I’ll print out a scanned version – this should make it easier to see and reduce the stress of thinking my wash might go through the top layer to the inked layer. Fun!
Today I totally lacked inspiration for a cartoon, so I practiced heads, hands, feet and penguins. I started by reading Jack Cole’s instant cartooning course and drew these as a result.
The course recommends working on hands and feet a lot, so I tried drawing some hands. This is my hand.
And this is a sort of copy of my drawing of my hand, which isn’t so good and shows that it’s not drawn from life. But nice in pen.
Then I tried some feet.
Another foot from the front. Drawn with a Rotring B nib pen.
That’s enough of that! Let’s draw a cat!
Oh, ok, here’s my hand again.
We can do both at once, though, right?